Who hasn’t got a Ladybird book somewhere, hidden away in the children’s old books, up in the attic, at the back of the book shelves. If you have now is the time to look it out, dust it off and see how much it is worth. The humble Ladybird book has joined the rank of ‘collectible’.
I have quite a few, none of them worth anything because they are all so well thumbed. Ladybird Books and their history was the subject of one of our book group meetings lately. Our host is related to the man who was the brainchild behind them. At first he not only wrote them but designed, promoted and printed them. He wanted the best artwork available and used the finest illustrators.
Many children learnt to read with the help of the Ladybird Series Reading Scheme (remember Peter & Jane?), others enjoyed them for their clear and concise instructions of how to make things or the reliable information they gave on a wide range of subjects. Clear pictures and print, colourful illustrations, their easy to handle size and affordability were all part of the appeal.
We are now so used to children’s books in all shapes and sizes, with plenty of colour and illustrations that it’s easy to forget how different the Ladybird series was. Until they were available few publishers thought about these things. The Christmas or birthday gift of a book was often an Annual – large and difficult to handle – but suddenly there was a book that could fit into a pocket.
A favourite of the Prodigal’s - and one I still use regularly even if the spine is broken and the pages ragged – was the Ladybird Book of Garden Birds. I keep it in the kitchen with a couple of other more detailed bird books, but it is usually the one I reach for first when I’m trying to identify a visitor to the bird table. It is restricted in its scope and there’s a lot to be said for brevity when the visitor is flighty.
And I still use some of the Observer’s Books for identifying wildlife. These handy little pocket books were first published in 1937, pre-dating the Ladybird books by a decade, but were aimed at the adult market. Birds, Wild Flowers, Butterflies, Trees and Wild Animals were the first in the series and, when the natural world had been thoroughly covered, sports and collecting, historical subjects and hobbies were introduced.
I think there were over seventy of these little books in all. Like the Ladybird series, many of them – except the most rare or those with pristine dust covers - can be found tucked away in second-hand shops or buried in boxes at fetes and boot fairs and bought for very little.
One thing that these two series had in common was the attention to detail and a rigorous approach to proof reading. Misinformation and mistakes were completely unacceptable. Many of the facts in these books will never alter – an oak tree is still an oak tree after all – and so there is no reason that they should not still be considered as handy and reliable reference guides for many years to come. I shall certainly continue to think of them as old and reliable friends.
Lucy
Saturday, 19 June 2010
Wednesday, 2 June 2010
Chelsea Flower Show 2010
Yes, it’s all over for another year: the expectation, then the event, the prizes and the plants. I shall check that I didn’t say this last year but it was truly so much better this year. Oh, come on, I hear you mumble, that’s what everyone always says. But it was better this year for one very good reason (and not just that more gardens were on show).
On the whole, the emphasis in the show gardens was away from hard surfaces. The gardens were actually living, growing spaces! No more yards of paving and decking. Instead the displays were what gardens should be about: plants. Other aspects quite obviously have to be considered and incorporated - layout, form, colour, texture etc – but this year it was the planting that sang out.
And I can’t help thinking that this mirrors our collective mood at the moment. (Get ready for the psychology) We have had a period of austerity – and are earmarked for more – and a little soft romanticism and escapism is a welcome relief. The public certainly thought so because they voted Roger Platt’s cottage garden their favourite. And plants are so much cheaper than hard landscaping.
Not only that, but we are all more ecologically aware. Driveways and gardens covered in impermeable hard materials contribute enormously to the risk of flooding. Not to mention the fact that plants are good for the environment, not only the air quality but for encouraging birds, bugs and bees.
There were some exceptions to this: the Australian garden had plenty of hard surfaces but it was fun and functional. And the Tourism Malaysia Garden offset the cool paving with plenty of water and abundant green planting, rich in contrasting shapes and textures.
Colours were muted this year. Pastels with the odd zing. In fact so muted were they that those who love riotous colour were forced to rely on the marquee for colour: they were bowled over by the vegetables displays (lots of orange and red) and the exotic, vibrant coloured floral elephants (plus purple, yellow and turquoise).
And the small gardens at the show, both urban and rural, seem to have grown up. No longer are they a pastiche of the large gardens, nor are they trying too hard to be shocking. Instead they are either sophisticated, manage to get a particular message across or incorporate a welcome sense of humour. Yorkshire’s Rhubarb Crumble & Custard Garden was the most popular among the public: it was not only witty but had quality in design and materials.
I had a great day – all the better for getting there before the crowds – and came back to see what I could do with my own back yard. Tidy it for a start, would be a good idea, opined Best Beloved. . Nothing out of place in a show garden. And weed it for sure. No nasties in show gardens. But then again, it is a real garden. Green and growing.
Real gardens should be like real homes, comfortable and welcoming. Somewhere you can relax and have fun. That’s my excuse anyway. So I just kicked off my shoes, poured myself a Pimms, and checked the garden chairs still worked. What a lovely end to a great day
On the whole, the emphasis in the show gardens was away from hard surfaces. The gardens were actually living, growing spaces! No more yards of paving and decking. Instead the displays were what gardens should be about: plants. Other aspects quite obviously have to be considered and incorporated - layout, form, colour, texture etc – but this year it was the planting that sang out.
And I can’t help thinking that this mirrors our collective mood at the moment. (Get ready for the psychology) We have had a period of austerity – and are earmarked for more – and a little soft romanticism and escapism is a welcome relief. The public certainly thought so because they voted Roger Platt’s cottage garden their favourite. And plants are so much cheaper than hard landscaping.
Not only that, but we are all more ecologically aware. Driveways and gardens covered in impermeable hard materials contribute enormously to the risk of flooding. Not to mention the fact that plants are good for the environment, not only the air quality but for encouraging birds, bugs and bees.
There were some exceptions to this: the Australian garden had plenty of hard surfaces but it was fun and functional. And the Tourism Malaysia Garden offset the cool paving with plenty of water and abundant green planting, rich in contrasting shapes and textures.
Colours were muted this year. Pastels with the odd zing. In fact so muted were they that those who love riotous colour were forced to rely on the marquee for colour: they were bowled over by the vegetables displays (lots of orange and red) and the exotic, vibrant coloured floral elephants (plus purple, yellow and turquoise).
And the small gardens at the show, both urban and rural, seem to have grown up. No longer are they a pastiche of the large gardens, nor are they trying too hard to be shocking. Instead they are either sophisticated, manage to get a particular message across or incorporate a welcome sense of humour. Yorkshire’s Rhubarb Crumble & Custard Garden was the most popular among the public: it was not only witty but had quality in design and materials.
I had a great day – all the better for getting there before the crowds – and came back to see what I could do with my own back yard. Tidy it for a start, would be a good idea, opined Best Beloved. . Nothing out of place in a show garden. And weed it for sure. No nasties in show gardens. But then again, it is a real garden. Green and growing.
Real gardens should be like real homes, comfortable and welcoming. Somewhere you can relax and have fun. That’s my excuse anyway. So I just kicked off my shoes, poured myself a Pimms, and checked the garden chairs still worked. What a lovely end to a great day
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